If you need a picture of Sam Blake for your event or website, please use any of the following – they are all royalty free and I own the copyright.
Murder One, a three-day long weekend crime writing festival that launched in November 2018 was jam packed with interviews with Irish and international authors, panel events, and a free speakers corner where attendees could listen to readings from some of Ireland’s newest crime writers. Murder One featured all aspects of the genre from thrillers and spy fiction, to police procedural and supernatural, cosy mysteries to psychological suspense with more coming for 2019 – we have something for everyone.
Michael Connelly opened the inaugural Murder One International Crime Writing Festival with a special preview event on October 28 2018, discussing his latest book Dark Sacred Night with crime writer and Dublin City of Literature writer in residence Declan Burke.
Michael Connelly is the bestselling author of twenty-eight novels and one work of nonfiction. With over sixty million copies of his books sold worldwide and translated into thirty-nine foreign languages, he is one of the most successful writers working today.
A former newspaper reporter who worked the crime beat at the Los Angeles Times and the Fort Lauderdale Sun-Sentinel, Connelly has won numerous awards for his journalism and his fiction. In Dark Sacred Night Renée Ballard is working the night beat again, and returns to Hollywood Station in the early hours only to find a stranger rifling through old file cabinets. The intruder is retired detective Harry Bosch, working a cold case that has gotten under his skin. Ballard kicks him out, but then checks into the case herself and it brings a deep tug of empathy and anger.
Bosch is investigating the death of fifteen-year-old Daisy Clayton, a runaway on the streets of Hollywood who was brutally murdered and her body left in a dumpster like so much trash. Now, Ballard joins forces with Bosch to find out what happened to Daisy and finally bring her killer to justice.
The main programme took place in Smock Alley Theatre, one of Dublin’s premier event venues, from 2nd – 4th November. Featured over the weekend were a stellar cast of crime and thriller writers including Lynda La Plante, Peter James, Val McDermid, Mark Billingham, Clare Mackintosh, Lisa Jewell, Ruth Ware, Mick Herron and Robert Goddard together with many of your favourite Irish crime writers including Liz Nugent, Jane Casey, Karen Perry and many more.
International bestselling & award winning author, Lynda La Plante, whose TV dramas from Prime Suspect to Trial & Retribution have kept viewers on the edge of their seats, discussed her criminal passions and her latest novel, Murder Mile, with Niamh O’Connor. As Widows, the movie inspired by Lynda’s hit TV series is released, does print still pull her back and how does she keep those ideas coming?
Lynda La Plante was born in Liverpool. She trained for the stage at RADA and worked with the National Theatre and RDC before becoming a television actress. She then turned to writing – and made her breakthrough with the phenomenally successful TV series WIDOWS, that has been adapted for film this year. Directed by Steve McQueen from a screenplay by McQueen and Gillian Flynn WIDOWS features Colin Farrell, Robert Duvall and Liam Neeson, and is released by 20th Century Fox on November 16 2018.
In her latest book, Prime Suspect meets Ashes to Ashes as we see Jane Tennison starting out on her police career . The fourth in the bestselling Jane Tennison series, Murder Mile is set at the height of the ‘Winter of Discontent’ in February 1979. Can Jane Tennison uncover a serial killer? ,
Lynda La Plante also brought festival attendees a unique free workshop for anyone interested in the world of forensics or Crime Scene Investigation. This interactive event is hosted by Think Forensic whose experts include CSI’s, forensic scientists, and senior investigating officers. In Lynda La Plante’s CSI Murder Room, vistors got a hands on introduction to forensic science during which you will be briefed on the crime of the day, inspired by Lynda’s newest thriller Murder Mile, and help the team solve it. Signed hardbacks are available at The Gutter Bookshop – get in touch to order yours!
Murder One has been developed and is curated by two of Ireland’s most experienced literary event programmers, Vanessa Fox O’Loughlin of Writing.ie (aka crime writer Sam Blake) and Bert Wright formerly of Mountains to Sea dlr Book Festival and currently curator of The Dublin Festival of History and the DLR Voices Series. Working with Dublin City Libraries, Dublin City Events, and Dublin UNESCO City of Literature, this sensational festival attracted engaged crowds to see some of the biggest names in international crime writing.
We’re planning the 2019 festival now – sign up so you don’t miss our news.
Follow Murder One on Twitter @MurderOneFest, Instagram @MurderOneFest or Facebook @MOneCrimeFest
Sam Blake is a guest tutor at The Professional Writing Academy Crime Fiction Online Workshop designed and facilitated by course director & Unsung Hero of Publishing 2018 Tom Bromley.
Are you passionate about crime fiction? Would you like to expand and hone your writing skills? This four-week online course will help you master the conventions of crime fiction as you develop ideas, create compelling characters and inject suspense into your writing. You’ll learn how to develop page-turning plots and put this knowledge into practice by writing a short crime story or start of a novel. Broaden your palette of writing techniques and explore the world of thriller, suspense and crime – and you can do it wherever you are in the world!
About Tom Bromley (but obviously the pic above is *me* 😉 )
I am a published author, editor, creative writing tutor, book reviewer and ghost (not the scary kind). I have written ten books under my own name and the pseudonym Thomas Black, which are a mixture of fiction and non-fiction. I have also ghostwritten a dozen more titles, several of which have been international bestsellers.
As a creative writing tutor, I teach novel writing and five further courses for the prestigious Faber Academy. I am also Director of Fiction for the Professional Writing Academy, where I run courses on crime and genre fiction.
I work, too, as an editorial consultant and mentor for a number of publishers, literary agencies and organisations, and also in a private capacity. Locally, I host the Salisbury Writing Circle — a community of new and experienced writers alike and write a weekly column on the arts (sort of) for the Salisbury Journal.
This autumn, I’m also one of the founders and Director of the inaugural Salisbury Literary Festival.
You couldn’t be in safer hands!
Sign up here http://bit.ly/CrimeSignUp
See my thoughts on literary festivals, events and courses, PLUS how to deal with writer’s block below…
I’m thrilled that Little Bones. In Deep Water and No Turning Back are now ALL available in audio in MP3 and CD formats (click here to order directly from Bolinda or download from Audible here ) – and in libraries, including libraries in Australia – do ask if you can’t find it!
The series is narrated by Aoife McMahon, a fabulous actress who has also narrated Marian Keyes, Cecilia Aherne, Louise O’Neill’s Asking For It and Carmel Harrington’s The Woman and 72 Derry Lane plus Jess Kidd’s The Hoarder and many of Jo Spain’s nail-biting thrillers.
Aoife attended The Royal Academy of Dramatic Art (RADA) and has appeared in many TV series including Doctors, Broken, Partners in Crime and The Royals as well as A Touch of Frost and Bad Girls. A well known face on the BBC and ITV she also has an extensive stage career.
Listen to an excerpt from Little Bones here on sound cloud:
And here’s a bit of No Turning Back
In March 1993 I had been in Ireland for six months when a report aired on the lunchtime news about an American student who had vanished from a place less than ten minutes from where I was sitting in Bray, County Wicklow. She was American, I am English. She was 26, I was 23. We were both foreigners around the same age. I felt an immediate connection with her.
What on earth had happened?
It was cold that March, it has been a grim grey winter and by mid-afternoon the days were starting to draw in. I was glued to the news to see how the investigation was progressing. The search was exhaustive including a hand search through hundreds of acres of woodland, particularly in Crone wood, three miles south of Enniskerry.
A couple of weeks after the televised, print and radio appeals began, a doorman at Johnnie Fox’s pub, 8km from Enniskerry, reported seeing Annie on the night she disappeared – she appeared to be scanning the room as if she was looking for someone. The doorman stopped her to tell her there was a cover charge in this part of the bar. A man in his twenties wearing a waxed jacket, who was standing behind her in the queue, paid the charge for both of them. Johnny Fox’s was packed that night, a company party was taking place (which a friend of my husband’s was attending). Annie was a tall girl – 5ft 8 – and with her striking looks and American accent I always thought she would have stood out, but from the reports at the time, the two doormen appear to be the only people who remember seeing her. Was she intending on meeting someone there?
Originally from Long Island, New York, Annie had travelled back and forth to Ireland since 1987, finally moving here in January 1993 to study at St. Patrick’s Training College in Drumcondra. Her flatmates Jill last saw her sitting knitting on her bed before she left for work.
Later that morning Annie was captured on CCTV at the AIB in Sandymount, she did some shopping in Quinnsworth (her receipt was issued at 11.02am) and used the phone box outside the bank. She called her friend Anne to see if she’d like to go for a walk in the mountains. It’s a four minute walk to Annie’s apartment from the Bank, did she go straight home, or did she go somewhere else first and meet someone, or call them, on the way? It’s thought she left her apartment again around 2.30 or 3pm – what was she doing in that time? She left her shopping in the supermarket bags on the table, not unpacking, as if perhaps, she was in a hurry.
It was pretty cold and damp that March, although 25th and 26th were dry and bright. I always wondered why Annie had taken two buses to get to Enniskerry when she had the whole of Sandymount strand to walk, so much closer by. I felt she must have a reason for going there. If walking was her plan, by the time she got to the village and was seen visiting the post office, the best of the day would have been over. The clocks went forward two days later on Sunday 28th March,, sunset on 26th was at 6.48pm.
I’ve always felt that Annie was meeting someone that day. There is time apparently unaccounted for in her morning and three to four hours between her arriving in the village and being seen in Johnny Fox’s remain unaccounted for. I don’t think anyone in their right mind would walk that road up to Johnny Fox’s in the winter at the end of the day, so I’ve always wondered if she met someone in the village, perhaps went for a drive in the mountains and then stopped in Johnny Fox’s on the way back down. It’s pure speculation and could be my writer’s mind working overtime, but I know if I was going to catch two buses anywhere, there would need to be a good reason. And walking around a village on my own in the dark in March wouldn’t have been enough.
I had Annie’s story at the back of my mind as I was plotting In Deep Water – as a writer you hear stories that you can’t forget, stories that nudge at you. Part of In Deep Water is set in Enniskerry and the story involves an American student going missing. Set in 2016 though, Detective Garda Cat Connolly has a huge range of resources available to her that weren’t available to the Gardai in 1993, and she uncovers information that leads her into the Dublin underworld of organised crime. Did Annie meet a career criminal who told her too much and had to murder her to protect himself? One theory is that she met a member of the IRA who was lying low, but who revealed too much trying to impress her.
There may never be answers to what happened to Annie, but I sincerely hope there will be one day. And I hope that her story, like the stories of all the missing women, are kept alive so that perhaps someone will remember something that will make a difference. And that one day, their families may have the resolution that’s available to us in fiction, but tragically can prove more elusive in real life.
I’m delighted to say that book two in the Cat Connolly series was released in Ireland in April 2017, and will be coming to the UK in February 2018!
So what’s it about?
Here’s the blurb!
For fans of TENNISON and MISSING PRESUMED, comes the gripping follow-up to the number 1 bestseller, LITTLE BONES.
Good intentions can be deadly . . .
Cat Connolly is back at work after the explosion that left her on life support. Struggling to adjust to the physical and mental scars, her workload once again becomes personal when her best friend Sarah Jane Hansen, daughter of a Pulitzer-winning American war correspondent, goes missing.
Sarah Jane is a journalism student who was allegedly working on a story that even her father thought was too dangerous.
With Sarah Jane’s father uncontactable, Cat struggles to find a connection between Sarah Jane’s work and her disappearance. But Sarah Jane is not the only one in deep water when Cat comes face to face with a professional killer . . .
In the world of missing persons every second counts, but with the clock ticking, can Cathy find Sarah Jane before it’s too late?